'The Fall Of The House Of Usher' Review: Netflix's New Horror Series

Table Of Content

• Eminem Announces New Album ‘The Death of Slim Shady (Coup De Grâce),’ Releasing This Summer
• Vince McMahon Lists Final TKO Shares for Sale
• Is it a worthwhile adaptation of Edgar Allan Poe’s work?
• The Hair Parlor on 8th
• Netflix’s The Fall of the House of Usher lacks the passionate weirdness of Poe
• Neighborhood Salon
• Ray Chan, Art Director and Production Designer for Marvel Films, Dies at 56

From Susan Davis’ costume department to the extensive visual effects team, each crew came together to deliver their absolute A-game. The new entry into the Mike Flanagan pantheon is always firing on all cylinders, and it’s sure to join many a fan’s annual rotation of spooky time traditions. What Flanagan and his team of writers did wasn’t just develop individual odes to “The Masque of the Red Death,” “The Black Cat,” “The Tell-Tale Heart,” and more – they married them together to create what is one of the most impeccable shows in recent memory.

Eminem Announces New Album ‘The Death of Slim Shady (Coup De Grâce),’ Releasing This Summer

They strive to provide exceptional quality, and are open seven days per week. Rock Paper Salon has been voted the best hair salon experience for men by LA Weekly. Their services include cuts, root touch-ups, coloring, foils, blowouts, curling and straightening, and extensions. These two Usher arcs are so well-considered and well-executed, however, that they highlight the weaknesses of all the others.

Vince McMahon Lists Final TKO Shares for Sale

All of these nightmarish visions are attached to the family drama that Usher offers up for Dupin, giving the season a clever episodic structure in that each chapter intertwines a different Poe source into the overall saga of the Ushers. After 20 years of growth, Planet Salon now consists of an elite team of exceptional stylists and color specialists. They are located in Los Angeles, California, and have excelled in an industry that is competitive and challenging.

Is it a worthwhile adaptation of Edgar Allan Poe’s work?

But the show drowns in its uneven grasp of the source material, when it needn’t have relied on source material at all. The key to the ideal Flanagan series likely lies not with more cherry-picked adaptations, but with more stories that are entirely Flanagan’s own. This setup allows the show to flit between ongoing references to well-known Poe themes and episodes focused on a specific story. For instance, references to the famous poem “The Raven,” the classic revenge story “The Cask of Amontillado,” and the titular short story occur throughout. This litany of allusions ranges from blatant to coy, clever to annoying. At one point, Roderick’s stone-faced lawyer Pym (a superb Mark Hamill) mentions having a guest for dinner, a reference to the original Poe narrative in which another Pym cannibalizes said guest.

The Hair Parlor on 8th

In addition to the literary selections, you’ll find meditation sessions, game nights, story time, book talks and clothing swaps. This formerly Silver Lake now Atwater Village comic book and graphic novel shop has shelf upon shelf of illustrated stories, as well as beautiful art books and local zines. If you’re into illustrated stories, this is the place to go—the shopkeepers will geek out with you over the newest issue of Aquaman or the sophomore effort of a graphic novelist.

THE FALL OF THE HOUSE OF USHER Review: Mike Flanagan Ends His Partnership With Netflix On A High Note - ScreenAnarchy

THE FALL OF THE HOUSE OF USHER Review: Mike Flanagan Ends His Partnership With Netflix On A High Note.

Posted: Thu, 12 Oct 2023 07:00:00 GMT [source]

The Fall of the House of Usher review — Edgar Allan Poe gets a contemporary twist - Financial Times

The Fall of the House of Usher review — Edgar Allan Poe gets a contemporary twist.

Posted: Sun, 15 Oct 2023 07:00:00 GMT [source]

Fortunato – the Usher’s pharmaceutical company and a name plucked from Poe’s “The Cask of Amontillado” – is the core driver behind all of Roderick and Madeline Usher’s actions. Meanwhile, the latter’s obsession with immortality is constantly playing on the fringes, only brought to the forefront to appropriately mock AI and any place it has in storytelling or the human experience as a whole. Like Hill House before it, House of Usher features a good blend of slow, spooky scares and outright shrieks as Roderick recounts his complicated tale to Auguste in the musty carcass of his childhood home. Both the past and present timelines are filled with the kind of horrors you’ve come to expect from Flanagan, but he really flexes in the methodology of murder as tragedy barrels its way through the Usher family. Roderick has come from a miserable childhood with a puritanical, sickly mother who believes that “pain and suffering are the kiss of Jesus”. The family is made up of Flanagan’s regular ensemble of actors, and to buy them as relatives requires a lot of suspension of disbelief, but for Flanagan fans, there’s great fun to be had seeing how these favourites fit into his new tale of terror.

But with The Fall of the House of Usher — which is likely the final collaboration between Flanagan and Netflix — the showrunner has created his most ambitious story yet. It’s still the slow-burning human drama fans have come to expect, but this time, it tells a much more complex story that touches on everything from AI to the opioid epidemic, all viewed through the lens of gothic horror. Broken up into eight chapters, the six middle episodes of “The Fall of the House of Usher,” each named for a terrifying Poe tale, illustrate the death of one of the Usher children. Fans of creator Mike Flanagan know that his entire body of work sits within the horror genre, but this show is more sinister than chilling. As the episodes press forward, an aura of foreboding is infused throughout the scenes.

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When one steps back and looks at the whole narrative of the season of “The Fall of the House of Usher,” it sags in places. Most of the flashbacks to a young Usher and Dupin are thin, especially compared to the wicked fun on display in the fates of the Usher children. It feels like padding to get episodes to a full hour when Flanagan and company could have leaned even more into the episodic structure that highlights a single Poe per chapter.

This series, they all commit themselves completely to the conceit that they’re in some kind of Poe-ian shadow world, effortlessly dropping off-kilter lines from Poe poems and novels alongside zings and barbs about NDAs and PR spin. Each episode owes something vaguely thematic to a different well-known Poe short story, with the manner of death unfolding in a Final Destination-like hodgepodge of calamity. The gruesome deaths of the Ushers (a clear analogue of the Sacklers) are supernatural retribution for America’s opioid crisis, which Usher helped, um, usher in. The ghastliness of the epidemic seems to have summoned a supernatural Lady Death, a.k.a. Carla Gugino, OG member of the Flanagang, who dons a series of personas in order to hasten the Ushers to their fates.

Since there are more than a couple of fictional representations of the Saclker family in media, the show would’ve been even stronger had it not leaned so heavily into those story fragments, and remained aligned instead with the “Succession” aspects of the series. Also, the framework of the Usher legacy is most poignant when Flanagan shines a light on the twins’ ambitions, even as teens and young adults, as well as their unbridled loyalty to one another. “The Fall of the House of Usher” updates the work of Edgar Allan Poe for the era of Big Pharma, turning his most famous tales into a sprawling story of the decline of a wealthy American family. It’s “Succession” meets The Tell-Tale Heart, a story of vengeance, power, betrayal, and bloody parts. Double Hair Salon is a beauty salon that serves Los Angeles and the surrounding areas. It offers hair cutting and styling services, hair coloring, perms, keratin treatments, head spas, and Balayage.

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The framing device roughly follows the titular short story plot, as wealthy Roderick Usher (Bruce Greenwood) tells prosecutor C. It’s just a bonus if you understand the importance of ravens, or why Roderick and his sister Madeline (Mary McDonnell) will at times stare meaningfully at a basement’s brick wall. And some references are just Easter eggs, like Dupin being named after a recurring Poe character who is widely considered the protagonist of the earliest fictional detective stories. Located in downtown Los Angeles, the salon offers a full menu of hair styling services for men and women. This includes haircuts, full coloring, highlights, Brazilian blowouts, perms, and conditioning treatments. She specializes in soft hair painting, extensions, and volumizing hair.

It's pure Gothic horror, a genre that inspired Poe's many short stories and poetry in the early 19th century. Though enjoyable, the middle episodes of “The Fall of the House of Usher” do drag a bit. The narrative shifts away from the motivations and desires of the Usher children, focusing more on Roderick and Madeline as perpetrators of the opioid epidemic. This element of the series was often too on the nose, and much less compelling than the random displays of immorality and wickedness that make the Ushers rotten to the core.

His version of The Tell-Tale Heart is a modern gem, and “The Gold-Bug” is reimagined as a new brand for the Usher company. But the themes remain the same—guilt, obsession, vengeance, and a supernatural sense of justice. Roderick Usher’s children are getting what they deserve, not merely because they are the fruit of a very poisoned tree but because they have made horrific decisions to stay in the shelter of wealth and privilege. Usher has been reimagined as the head of a massive pharmaceutical company he runs with his twin sister, Madeline (Mary McDonnell).

If what you came for were eight cycles of impending doom counting down to their garish conclusions, you’re in luck. Flanagan finishes his Netflix contract on a high, gleefully capturing Poe’s magic, eerie romance and sense of dread. His shows have become the streaming service’s best offerings for spooky season, and it is hard to imagine how that void will be filled. It’s not perfect – the order in which the Poe family meet their fates is a case of diminishing returns, as its most intriguing members are dispatched too quickly.